I am building layers in my studio. My recent efforts in surface design involve pattern creation using stencils that I cut in acetate which are then used to print color onto fabric. I rotate the stencil (in this case a loose grid of rhomboids) and repeat the printing process with a second contrasting color. I use translucent dyes which when layered create a third color. In this case I started with a bright red-magenta and overlaid a muted blue. A lovely purple happened where the colors overlaid.
In thinking about mental patterns and the benefits that arrive by allowing for the possibility of changing them, I recognized this artistic exercise as illustrating this process. The third color that appeared, the purple, was not possible without first creating one pattern and then starting completely over with another. The color also wouldn’t appear as visually striking if the colors weren’t profoundly divergent (red and blue).
Our patterns of thought have a certain beauty. They can be regular and uniformly pleasing. But a much more powerful and interesting thing happens when two opposing patterns interact. These interference patterns bring us a new level of understanding. They tease out something new that wasn’t in each pattern individually. Something emerged from the interaction. The overlayed patterns form points where they conjoin to make new information.
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